File #█████████-PULP | Classification: Mockumentary | Status: UNDER REVIEW
File #█████████-PULP | Classification: Mockumentary | Status: UNDER REVIEW
File #█████████-PULP | Classification: Mockumentary | Status: UNDER REVIEW
CONFIDENTIAL DOSSIER:
UNDER THE SPANDEX
CONFIDENTIAL DOSSIER:
UNDER THE SPANDEX
CONFIDENTIAL DOSSIER:
UNDER THE SPANDEX
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much, instead, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much here, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much here, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much, instead, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much here, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much here, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much, instead, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much here, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Hello!
Thanks for making it this far.
Welcome to Under the Spandex! As the guy who came up with the idea, I'm supremely excited that you're here!
I won't ramble on too much here, I'll let the pitch part of it do the talking, but I think you're gonna love it!
Cheers,
Liam Ramsay
Thank you for taking the time to read this.
This show means a lot to me. It’s about second chances, buried potential, and what it takes to build something that lasts, even when the world moves on.
I know how important a legacy is. That’s why telling a story with these characters, especially this version of Mr. Walker, matters so deeply to me. It’s not just about nostalgia. It’s about what we leave behind, and who we lift up along the way.
If anything here made you smile, think, or feel something… then maybe this is a story worth telling together.
— Liam
Creator, Under the Spandex
Thank you for taking the time to read this.
This show means a lot to me. It’s about second chances, buried potential, and what it takes to build something that lasts, even when the world moves on.
I know how important a legacy is. That’s why telling a story with these characters, especially this version of Mr. Walker, matters so deeply to me. It’s not just about nostalgia. It’s about what we leave behind, and who we lift up along the way.
If anything here made you smile, think, or feel something… then maybe this is a story worth telling together.
— Liam
Creator, Under the Spandex
FILE SYNOPSIS - UNDER THE SPANDEX
TOP SECRET –
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
TOP SECRET
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
Under the Spandex is a comedy mockumentary about a group of unemployed Australian superheroes, known as PULPS, forced into the G.H.O.S.T. program: the most underfunded, over filmed work-for-the-dole scheme in the country.
Founded by the enigmatic Mr. Walker, G.H.O.S.T. aims to rehabilitate powered individuals through community service, team-building exercises, and OHS sessions tailored specifically for super-beings.
But as egos clash, secrets unravel, and trolleys are collected, the team stumbles into something far bigger than community service. What begins as bureaucratic punishment becomes a shot at redemption… if they can get out of their own way.
Under the Spandex is a comedy mockumentary about a group of unemployed Australian superheroes, known as PULPS, forced into the G.H.O.S.T. program: the most underfunded, over filmed work-for-the-dole scheme in the country.
Founded by the enigmatic Mr. Walker, G.H.O.S.T. aims to rehabilitate powered individuals through community service, team-building exercises, and OHS sessions tailored specifically for super-beings.
Who is
Mr. Walker?
💀
FILE SYNOPSIS - UNDER THE SPANDEX
But as egos clash, secrets unravel, and trolleys are collected, the team stumbles into something far bigger than community service. What begins as bureaucratic punishment becomes a shot at redemption… if they can get out of their own way.
Who is
Mr. Walker?
💀
TOP SECRET -
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
FILE SYNOPSIS -UNDER THE SPANDEX
Who is
Mr. Walker?
💀
FILE SYNOPSIS - UNDER THE SPANDEX
TOP SECRET –
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
TOP SECRET
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
Under the Spandex is a comedy mockumentary about a group of unemployed Australian superheroes, known as PULPS, forced into the G.H.O.S.T. program: the most underfunded, over filmed work-for-the-dole scheme in the country.
Founded by the enigmatic Mr. Walker, G.H.O.S.T. aims to rehabilitate powered individuals through community service, team-building exercises, and OHS sessions tailored specifically for super-beings.
But as egos clash, secrets unravel, and trolleys are collected, the team stumbles into something far bigger than community service. What begins as bureaucratic punishment becomes a shot at redemption… if they can get out of their own way.
Under the Spandex is a comedy mockumentary about a group of unemployed Australian superheroes, known as PULPS, forced into the G.H.O.S.T. program: the most underfunded, over filmed work-for-the-dole scheme in the country.
Founded by the enigmatic Mr. Walker, G.H.O.S.T. aims to rehabilitate powered individuals through community service, team-building exercises, and OHS sessions tailored specifically for super-beings.
Who is
Mr. Walker?
💀
FILE SYNOPSIS - UNDER THE SPANDEX
But as egos clash, secrets unravel, and trolleys are collected, the team stumbles into something far bigger than community service. What begins as bureaucratic punishment becomes a shot at redemption… if they can get out of their own way.
Who is
Mr. Walker?
💀
TOP SECRET -
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
FILE SYNOPSIS -UNDER THE SPANDEX
Who is
Mr. Walker?
💀
FILE SYNOPSIS - UNDER THE SPANDEX
TOP SECRET –
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
TOP SECRET
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
Under the Spandex is a comedy mockumentary about a group of unemployed Australian superheroes, known as PULPS, forced into the G.H.O.S.T. program: the most underfunded, over filmed work-for-the-dole scheme in the country.
Founded by the enigmatic Mr. Walker, G.H.O.S.T. aims to rehabilitate powered individuals through community service, team-building exercises, and OHS sessions tailored specifically for super-beings.
But as egos clash, secrets unravel, and trolleys are collected, the team stumbles into something far bigger than community service. What begins as bureaucratic punishment becomes a shot at redemption… if they can get out of their own way.
Under the Spandex is a comedy mockumentary about a group of unemployed Australian superheroes, known as PULPS, forced into the G.H.O.S.T. program: the most underfunded, over filmed work-for-the-dole scheme in the country.
Founded by the enigmatic Mr. Walker, G.H.O.S.T. aims to rehabilitate powered individuals through community service, team-building exercises, and OHS sessions tailored specifically for super-beings.
Who is
Mr. Walker?
💀
FILE SYNOPSIS - UNDER THE SPANDEX
But as egos clash, secrets unravel, and trolleys are collected, the team stumbles into something far bigger than community service. What begins as bureaucratic punishment becomes a shot at redemption… if they can get out of their own way.
Who is
Mr. Walker?
💀
TOP SECRET -
GUIDANCE FOR HUMANS WITH OUTSTANDING OR SPECIAL TALENTS PROGRAM
(G.H.O.S.T. PROGRAM)
FILE SYNOPSIS -UNDER THE SPANDEX
Who is
Mr. Walker?
💀
Welcome to the first episode of Under the Spandex.
This is the story that kicks it all off, where washed up heroes, buried legacies, and broken egos collide in the most Aussie way possible.
It’s funny. It’s sad. It’s weird.
And it sets the tone for everything that follows.
Thanks for reading. We don't take your time, or your eyeballs, for granted.
Welcome to the first episode of Under the Spandex.
This is the story that kicks it all off, where washed up heroes, buried legacies, and broken egos collide in the most Aussie way possible.
It’s funny. It’s sad. It’s weird.
And it sets the tone for everything that follows.
Thanks for reading. We don't take your time, or your eyeballs, for granted.
Scroll down to learn more about Mr. Walker
and Under the Spandex
Scroll down to learn more about Mr. Walker
and Under the Spandex
A Note on Mr. Walker
A Note on Mr. Walker
The Ghost Who Still Walks... Through Budget Meetings?
On the books, he’s just another pencil-pusher in a city office: Mr. Walker, National Program Manager of G.H.O.S.T. Workforce Solutions. He wears a tailored charcoal suit, walks the corridors with quiet intent, and signs documents with a black fountain pen.
But the truth lives behind a false bookshelf in his office, where a purple suit hangs in waiting.
Because Mr. Walker is still…
The same jungle-born warrior. The same skull-ringed deliverer of justice. The same hero who, when the world tilted toward evil, tilted it back with nothing but willpower and legend. He hasn’t retired. He hasn’t faded. He’s evolved.
In a world where capes have become content creators and villains are branding themselves, Mr. Walker remains something rare: a truly good man. He doesn’t shout. He doesn’t posture. He believes in people, even when they don’t believe in themselves.
That’s why he built the G.H.O.S.T. program.
It was never about rehabilitation. It was about redemption.
Every hero in the program was chosen by him, personally. He reads their files cover to cover. Not just their powers or past crimes, but their fears. Their regrets. Their potential. Mr. Walker believes, with total conviction, that if he can guide even a few of them back to purpose, back to the light, then it strengthens the global fight against evil.
Because one Phantom, no matter how legendary, can’t fight forever.
This is his endgame. Not a throne. Not a statue. A new generation.
But there’s one thing he didn’t account for: Australians.
No amount of jungle training prepared him for passive aggression in the lunch room. For ego-stuffed former heroes who treat trolley collection like a war crime. For public barbecues being used as urinals. And yet, he doesn’t give up.
Because The Phantom never gives up.
Not on the mission.
Not on justice.
And never on people.
He keeps the suit behind that bookshelf, not as a relic, but as a reminder: when the time comes, The Ghost Who Walks will walk again.
He is not broken, bitter or done.
He is The Phantom.
And the fight, the real fight, has only just begun.
Because when the time comes for him to leave the G.H.O.S.T. program behind…
He won’t be heading into retirement.
He’ll be embarking on a new mission.
A swashbuckling, globe-trotting adventure worthy of the legend.
The Ghost Who Still Walks... Through Budget Meetings?
On the books, he’s just another pencil-pusher in a city office: Mr. Walker, National Program Manager of G.H.O.S.T. Workforce Solutions. He wears a tailored charcoal suit, walks the corridors with quiet intent, and signs documents with a black fountain pen.
But the truth lives behind a false bookshelf in his office, where a purple suit waits.
Because Mr. Walker is still…
The same jungle-born warrior. The same skull-ringed deliverer of justice. The same hero who, when the world tilted toward evil, tilted it back with nothing but willpower and legend. He hasn’t retired. He hasn’t faded. He’s evolved.
In a world where capes have become content creators and villains are branding themselves, Mr. Walker remains something rare: a truly good man. He doesn’t shout. He doesn’t posture. He believes in people, even when they don’t believe in themselves.
That’s why he built the G.H.O.S.T. program.
It was never about rehabilitation. It was about redemption.
Every hero in the program was chosen by him, personally. He reads their files cover to cover. Not just their powers or past crimes, but their fears. Their regrets. Their potential. Mr. Walker believes, with total conviction, that if he can guide even a few of them back to purpose, back to the light, then it strengthens the global fight against evil.
Because one Phantom, no matter how legendary, can’t fight forever.
This is his endgame. Not a throne. Not a statue. A new generation.
But there’s one thing he didn’t account for: Australians.
No amount of jungle training prepared him for passive aggression in the lunch room. For ego-stuffed former heroes who treat trolley collection like a war crime. For public barbecues being used as urinals. And yet, he doesn’t give up.
Because The Phantom never gives up.
Not on the mission.
Not on justice.
And never on people.
He keeps the suit behind that bookshelf, not as a relic, but as a reminder: when the time comes, The Ghost Who Walks will walk again.
He is not broken, bitter or done.
He is The Phantom.
And the fight, the real fight, has only just begun.
Because when the time comes for him to leave the G.H.O.S.T. program behind…
He won’t be heading into retirement.
He’ll be embarking on a new mission.
A swashbuckling, globe-trotting adventure worthy of the legend.
A Note on Mr. Walker
The Ghost Who Still Walks... Through Budget Meetings?
On the books, he’s just another pencil-pusher in a city office: Mr. Walker, National Program Manager of G.H.O.S.T. Workforce Solutions. He wears a tailored charcoal suit, walks the corridors with quiet intent, and signs documents with a black fountain pen.
But the truth lives behind a false bookshelf in his office, where a purple suit hangs in waiting.
Because Mr. Walker is still…
The same jungle-born warrior. The same skull-ringed deliverer of justice. The same hero who, when the world tilted toward evil, tilted it back with nothing but willpower and legend. He hasn’t retired. He hasn’t faded. He’s evolved.
In a world where capes have become content creators and villains are branding themselves, Mr. Walker remains something rare: a truly good man. He doesn’t shout. He doesn’t posture. He believes in people, even when they don’t believe in themselves.
That’s why he built the G.H.O.S.T. program.
It was never about rehabilitation. It was about redemption.
Every hero in the program was chosen by him, personally. He reads their files cover to cover. Not just their powers or past crimes, but their fears. Their regrets. Their potential. Mr. Walker believes, with total conviction, that if he can guide even a few of them back to purpose, back to the light, then it strengthens the global fight against evil.
Because one Phantom, no matter how legendary, can’t fight forever.
This is his endgame. Not a throne. Not a statue. A new generation.
But there’s one thing he didn’t account for: Australians.
No amount of jungle training prepared him for passive aggression in the lunch room. For ego-stuffed former heroes who treat trolley collection like a war crime. For public barbecues being used as urinals. And yet, he doesn’t give up.
Because The Phantom never gives up.
Not on the mission.
Not on justice.
And never on people.
He keeps the suit behind that bookshelf, not as a relic, but as a reminder: when the time comes, The Ghost Who Walks will walk again.
He is not broken, bitter or done.
He is The Phantom.
And the fight, the real fight, has only just begun.
Because when the time comes for him to leave the G.H.O.S.T. program behind…
He won’t be heading into retirement.
He’ll be embarking on a new mission.
A swashbuckling, globe-trotting adventure worthy of the legend.
MEET THE PULPS
Long before Hollywood capes and billion-dollar franchises, Australia had its own heroes. Printed on cheap paper and sold in corner shops, these characters leapt from the minds of local creators during the golden age of Australian comics in the 1940s and 50s. They were bold, bizarre, and uniquely ours.
Today, those heroes have been forgotten, discarded, mocked, or overshadowed.
But Under the Spandex brings them back.
Every character in this show is drawn from Australia’s original comic book history. Some have been reimagined. Others, resurrected. All of them reflect something deeper: the fear of being past your prime, the fight to find relevance, and the hope that maybe there’s still a second act.
These are the Pulps.
They may not be perfect.
They may not even be good at their jobs.
But they're trying.
And that still matters.
(Persons of Uncommon Levels of Potential)
(Persons of Uncommon Levels of Potential)
Long before Hollywood capes and billion-dollar franchises, Australia had its own heroes. Printed on cheap paper and sold in corner shops, these characters leapt from the minds of local creators during the golden age of Australian comics in the 1940s and 50s. They were bold, bizarre, and uniquely ours.
Today, those heroes have been forgotten, discarded, mocked, or overshadowed.
But Under the Spandex brings them back.
Every character in this show is drawn from Australia’s original comic book history. Some have been reimagined. Others, resurrected. All of them reflect something deeper: the fear of being past your prime, the fight to find relevance, and the hope that maybe there’s still a second act.
These are the Pulps.
They may not be perfect.
They may not even be good at their jobs.
But they're trying.
And that still matters.
ATOM GIRL
ATOM GIRL
CAPTAIN ATOM/ LARRY LOCKHEART
CAPTAIN ATOM/ LARRY LOCKHEART
MOLO THE MIGHTY
MOLO THE MIGHTY
IRON OUTLAW
IRON OUTLAW
JO
JO
MR. WALKER / THE PHANTOM
MR. WALKER / THE PHANTOM
CATMAN
CATMAN
KABAI SENGH JR.
KABAI SENGH JR.
ATOM GIRL
ATOM GIRL
CAPTAIN ATOM/ LARRY LOCKHEART
CAPTAIN ATOM/ LARRY LOCKHEART
MOLO THE MIGHTY
MOLO THE MIGHTY
IRON OUTLAW
IRON OUTLAW
JO
JO
MR. WALKER / THE PHANTOM
MR. WALKER / THE PHANTOM
CATMAN
CATMAN
KABAI SENGH JR
KABAI SENGH JR
MEET THE PULPS
Operational Log: Episode Briefings
For Internal Use – Do Not Air Without Clearance
Operational Log: Episode Briefings
For Internal Use – Do Not Air Without Clearance
Under the Spandex is a half-hour mockumentary comedy. Each episode runs 22–30 minutes and the show is structured as a limited two-season arc, with 6–8 episodes per season.
Every episode follows a simple loop:
-A community service assignment
-A G.H.O.S.T. value being tested
-A hero learning something the hard way
On the surface, it’s about collecting trolleys, repainting curbs, or chasing a runaway senior. But underneath, something bigger is building. A mystery that starts with the faint scent of urine on public barbecues and ends with a war over Australia's soul.
Think The Office’s Dunder Mifflin closure arc, or Parks & Recreation’s Harvest Festival, but instead of paper or politics, it’s disgraced heroes in suburban Australia, under the supervision of a man who once kicked a football into space at the AFL Grand Final… out of spite.
And somewhere between the spilled Coke, broken trolleys, and bad PR interviews, these Pulps start to change. The laughs keep coming, but so does something they weren’t expecting: a reason to care again.
Under the Spandex is a half-hour mockumentary comedy. After a 45 minute pilot, each episode runs 22–30 minutes and the show is structured as a limited two-season arc, with 6–8 episodes per season.
Every episode follows a simple loop:
A community service assignment
A G.H.O.S.T. value being tested
A hero learning something the hard way
On the surface, it’s about collecting trolleys, repainting curbs, or chasing a runaway senior. But underneath, something bigger is building. A mystery that starts with the faint scent of urine on public barbecues and ends with a war over Australia's soul.
Think The Office’s Dunder Mifflin closure arc, or Parks & Recreation’s Harvest Festival, but instead of paper or politics, it’s disgraced heroes in suburban Australia, under the supervision of a man who once kicked a football into space at the AFL Grand Final… out of spite.
And somewhere between the spilled Coke, broken trolleys, and bad PR interviews, these Pulps start to change. The laughs keep coming, but so does something they weren’t expecting: a reason to care again.
EPISODE BRIEFINGS: SEASON ONE
EPISODE BRIEFINGS:
SEASON ONE
Episode 1 – "BE RESPONSIBLE, START SMALL"
1. BE RESPONSIBLE, START SMALL
EPISODE 2 – "TEAMWORK MAKES THE DREAM WORK"
2. TEAMWORK MAKES THE DREAM WORK
EPISODE 3 – "SHARE THE LOAD, SHARE THE GLORY"
3. SHARE THE LOAD, SHARE THE GLORY
EPISODE 4 – "SERVICE WITH A SMILE"
4. SERVICE WITH A SMILE
EPISODE 5 – "UNDERSTANDING STARTS WITH YOU"
5.UNDERSTANDING STARTS WITH YOU
EPISODE 6 – "ACCOUNTABILITY AND OWNERSHIP"
6. ACCOUNTABILITY & OWNERSHIP
EPISODE 7 – "COMMITMENT TO GROWTH"
7. COMMITMENT TO GROWTH
EPISODE 8 – "WE’RE STRONGER TOGETHER"
8. WE’RE STRONGER TOGETHER
These interview and group scenes from The Office (UK) embody the drab, overly-lit mundanity we’re channeling for our talking heads and training sessions. Our visual tone leans into this lo-fi, corporate awkwardness: fluorescent lights, beige walls, and the oppressive weight of cheap carpet. It’s not meant to look good, it’s meant to feel real.
VISUAL STYLE
INDOOR SCENES
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
OUTDOOR SCENES
Captain Atom's training video leans into fake enthusiasm, VHS grain, and graphics that look like they were made in Windows Movie Maker. It’s nostalgic, it’s clunky, and it’s absolutely intentional.
TRAINING VIDEO
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
VISUAL CONTRAST
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
Is flowing a better word for here?
Tone
If Utopia had capes,
or Summer Heights High took place in
a Centrelink funded
superhero rehab program,
you’d land somewhere near here.
Think The Office or
Abbott Elementary,
if the staff could fly
and wore colourful outfits.
The Office
Parks and Recreation
Utopia
Summer Heights High
Abbott Elementary
Channel 31/SBS Promos
Government training videos (circa 1998)
Public Access TV
The Office
Parks and Recreation
Utopia
Summer Heights High
Abbott Elementary
Channel 31/SBS Promos
Government training videos (circa 1998)
Public Access TV
INFLUENCES
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
If Utopia had capes, or Summer Heights High took place in a
Centrelink funded superhero rehab program, you’d land somewhere near here.
Is flowing a better word for here?
Think The Office or Abbott Elementary, if the staff
could fly and wore colourful outfits.
Tone
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
Is flowing a better word for here?
Tone
If Utopia had capes,
or Summer Heights High took place in
a Centrelink funded
superhero rehab program,
you’d land somewhere near here.
Think The Office or
Abbott Elementary,
if the staff could fly
and wore colourful outfits.
The Office
Parks and Recreation
Utopia
Summer Heights High
Abbott Elementary
Channel 31/SBS Promos
Government training videos (circa 1998)
Public Access TV
The Office
Parks and Recreation
Utopia
Summer Heights High
Abbott Elementary
Channel 31/SBS Promos
Government training videos (circa 1998)
Public Access TV
INFLUENCES
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
If Utopia had capes, or Summer Heights High took place in a
Centrelink funded superhero rehab program, you’d land somewhere near here.
Is flowing a better word for here?
Think The Office or Abbott Elementary, if the staff
could fly and wore colourful outfits.
Tone
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
Is flowing a better word for here?
Tone
If Utopia had capes,
or Summer Heights High took place in
a Centrelink funded
superhero rehab program,
you’d land somewhere near here.
Think The Office or
Abbott Elementary,
if the staff could fly
and wore colourful outfits.
The Office
Parks and Recreation
Utopia
Summer Heights High
Abbott Elementary
Channel 31/SBS Promos
Government training videos (circa 1998)
Public Access TV
The Office
Parks and Recreation
Utopia
Summer Heights High
Abbott Elementary
Channel 31/SBS Promos
Government training videos (circa 1998)
Public Access TV
INFLUENCES
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
Under the Spandex walks the line between workplace satire and emotional honesty. It’s a mockumentary steeped in dry, observational comedy, where the extraordinary and the mundane exist side by side. Characters are introduced as jokes, but slowly revealed as people.
The participants in the G.H.O.S.T. program aren’t saving the world, they're battling red tape, passive aggression, and tall poppy syndrome. The satire is local: government inefficiency, post-career irrelevance, and the cultural cringe of Aussie fame.
Visually, it’s filmed like a half-hearted government promo and a low-budget workplace documentary had a baby. We embrace the lo-fi charm: awkward training videos, bad sound, drone shots over ugly carparks.
Costumes clash with fluorescent-lit RSLs. Characters pose dramatically next to Woolies skip bins.
The show borrows The Office’s handheld realism, but blends it with bursts of VFX, grainy archival footage, and moments of true superhero grandeur, a golden hour slow-mo of a broken shopping trolley or a triumphant cape flapping in the wind.
Our heroes are washed up.
Their mentor? A Warwick Capper-styled Perthonality.
Their auditor? A burnt-out HR officer with a smoking habit.
And their workplace? One step above a community service sentence.
But under the piss takes and spandex is a sincere story about redemption, about what it means to keep showing up, even after the world has stopped caring.
If Utopia had capes, or Summer Heights High took place in a
Centrelink funded superhero rehab program, you’d land somewhere near here.
Is flowing a better word for here?
Think The Office or Abbott Elementary, if the staff
could fly and wore colourful outfits.
Tone
Thank you for taking the time to read this.
This show means a lot to me. It’s about second chances, buried potential, and what it takes to build something that lasts, even when the world moves on.
I know how important a legacy is. That’s why telling a story with these characters, especially this version of Mr. Walker, matters so deeply to me.
It’s not just about nostalgia. It’s about what we leave behind, and who we lift up along the way.
If anything here made you smile, think, or feel something… then maybe this is a story worth telling together.
— Liam
Creator, Under the Spandex
Thank you for taking the time to read this.
This show means a lot to me. It’s about second chances, buried potential, and what it takes to build something that lasts, even when the world moves on.
I know how important a legacy is. That’s why telling a story with these characters, especially this version of Mr. Walker, matters so deeply to me. It’s not just about nostalgia. It’s about what we leave behind, and who we lift up along the way.
If anything here made you smile, think, or feel something… then maybe this is a story worth telling together.
— Liam
Creator, Under the Spandex
Thank you for taking the time to read this.
This show means a lot to me. It’s about second chances, buried potential, and what it takes to build something that lasts, even when the world moves on.
I know how important a legacy is. That’s why telling a story with these characters, especially this version of Mr. Walker, matters so deeply to me.
It’s not just about nostalgia. It’s about what we leave behind, and who we lift up along the way.
If anything here made you smile, think, or feel something… then maybe this is a story worth telling together.
— Liam
Creator, Under the Spandex
Thank you for taking the time to read this.
This show means a lot to me. It’s about second chances, buried potential, and what it takes to build something that lasts, even when the world moves on.
I know how important a legacy is. That’s why telling a story with these characters, especially this version of Mr. Walker, matters so deeply to me. It’s not just about nostalgia. It’s about what we leave behind, and who we lift up along the way.
If anything here made you smile, think, or feel something… then maybe this is a story worth telling together.
— Liam
Creator, Under the Spandex
VISUAL STYLE
INDOOR SCENES
These interview and group scenes from The Office (UK) embody the drab, overly-lit mundanity we’re channeling for our talking heads and indoor scenes. Our visual tone leans into this lo-fi, corporate awkwardness: fluorescent lights, beige walls, and the oppressive weight of cheap carpet. It’s not meant to look good, it’s meant to feel real.
VISUAL STYLE
INDOOR SCENES
These interview and group scenes from The Office (UK) embody the drab, overly-lit mundanity we’re channeling for our talking heads and indoor scenes. Our visual tone leans into this lo-fi, corporate awkwardness: fluorescent lights, beige walls, and the oppressive weight of cheap carpet. It’s not meant to look good, it’s meant to feel real.
OUTDOOR SCENES
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
OUTDOOR SCENES
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
TRAINING VIDEO
Captain Atom's training video leans into fake enthusiasm, VHS grain, and graphics that look like they were made in Windows Movie Maker. It’s nostalgic, it’s clunky, and it’s absolutely intentional.
TRAINING VIDEO
Captain Atom's training video leans into fake enthusiasm, VHS grain, and graphics that look like they were made in Windows Movie Maker. It’s nostalgic, it’s clunky, and it’s absolutely intentional.
VISUAL CONTRAST
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
VISUAL CONTRAST
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
VISUAL STYLE
INDOOR SCENES
These interview and group scenes from The Office (UK) embody the drab, overly-lit mundanity we’re channeling for our talking heads and training sessions. Our visual tone leans into this lo-fi, corporate awkwardness: fluorescent lights, beige walls, and the oppressive weight of cheap carpet. It’s not meant to look good, it’s meant to feel real.
VISUAL STYLE
INDOOR SCENES
These interview and group scenes from The Office (UK) embody the drab, overly-lit mundanity we’re channeling for our talking heads and indoor scenes. Our visual tone leans into this lo-fi, corporate awkwardness: fluorescent lights, beige walls, and the oppressive weight of cheap carpet. It’s not meant to look good, it’s meant to feel real.
OUTDOOR SCENES
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
OUTDOOR SCENES
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
We embrace the dull, the flat, the overcast. It’s not Metropolis, it's just Morley. Our world isn’t gritty or epic, it’s painfully everyday. Think cracked footpaths, faded signage, and shopping trolleys with one wobbly wheel. The extraordinary crashes into the utterly mundane.
TRAINING VIDEO
Captain Atom's training video leans into fake enthusiasm, VHS grain, and graphics that look like they were made in Windows Movie Maker. It’s nostalgic, it’s clunky, and it’s absolutely intentional.
TRAINING VIDEO
Captain Atom's training video leans into fake enthusiasm, VHS grain, and graphics that look like they were made in Windows Movie Maker. It’s nostalgic, it’s clunky, and it’s absolutely intentional.
Operational Log: Episode Briefings
For Internal Use – Do Not Air Without Clearance
Under the Spandex is a half-hour mockumentary comedy. Each episode runs 22–30 minutes and the show is structured as a limited two-season arc, with 6–8 episodes per season.
Every episode follows a simple loop:
-A community service assignment
-A G.H.O.S.T. value being tested
-A hero learning something the hard way
On the surface, it’s about collecting trolleys, repainting curbs, or chasing a runaway senior. But underneath, something bigger is building. A mystery that starts with the faint scent of urine on public barbecues and ends with a war over Australia's soul.
Think The Office’s Dunder Mifflin closure arc, or Parks & Recreation’s Harvest Festival, but instead of paper or politics, it’s disgraced heroes in suburban Australia, under the supervision of a man who once kicked a football into space at the AFL Grand Final… out of spite.
And somewhere between the spilled Coke, broken trolleys, and bad PR interviews, these Pulps start to change. The laughs keep coming, but so does something they weren’t expecting: a reason to care again.
EPISODE BRIEFINGS: SEASON ONE
Episode 1 – "BE RESPONSIBLE, START SMALL"
EPISODE 2 – "TEAMWORK MAKES THE DREAM WORK"
EPISODE 3 – "SHARE THE LOAD, SHARE THE GLORY"
EPISODE 4 – "SERVICE WITH A SMILE"
EPISODE 5 – "UNDERSTANDING STARTS WITH YOU"
EPISODE 6 – "ACCOUNTABILITY AND OWNERSHIP"
EPISODE 7 – "COMMITMENT TO GROWTH"
EPISODE 8 – "WE’RE STRONGER TOGETHER"
Operational Log: Episode Briefings
For Internal Use – Do Not Air Without Clearance
Under the Spandex is a half-hour mockumentary comedy. Each episode runs 22–30 minutes and the show is structured as a limited two-season arc, with 6–8 episodes per season.
Every episode follows a simple loop:
-A community service assignment
-A G.H.O.S.T. value being tested
-A hero learning something the hard way
On the surface, it’s about collecting trolleys, repainting curbs, or chasing a runaway senior. But underneath, something bigger is building. A mystery that starts with the faint scent of urine on public barbecues and ends with a war over Australia's soul.
Think The Office’s Dunder Mifflin closure arc, or Parks & Recreation’s Harvest Festival, but instead of paper or politics, it’s disgraced heroes in suburban Australia, under the supervision of a man who once kicked a football into space at the AFL Grand Final… out of spite.
And somewhere between the spilled Coke, broken trolleys, and bad PR interviews, these Pulps start to change. The laughs keep coming, but so does something they weren’t expecting: a reason to care again.
EPISODE BRIEFINGS: SEASON ONE
Episode 1 – "BE RESPONSIBLE, START SMALL"
EPISODE 2 – "TEAMWORK MAKES THE DREAM WORK"
EPISODE 3 – "SHARE THE LOAD, SHARE THE GLORY"
EPISODE 4 – "SERVICE WITH A SMILE"
EPISODE 5 – "UNDERSTANDING STARTS WITH YOU"
EPISODE 6 – "ACCOUNTABILITY AND OWNERSHIP"
EPISODE 7 – "COMMITMENT TO GROWTH"
EPISODE 8 – "WE’RE STRONGER TOGETHER"
VISUAL CONTRAST
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
VISUAL CONTRAST
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
Our superhero costumes are deliberately over-designed, slick, and cinematic, polished to the point of absurdity, because these characters ARE SUPERHEROES. They don’t belong in a car park or a Centrelink queue, and that’s the point. This contrast between epic capes and cheap concrete is where the comedy lives. Think HBO-level production values dropped into an Officeworks carpark at 11am on a Tuesday. The extraordinary, straining uncomfortably against the deeply ordinary.
Hey thanks for scrolling this far down :)
Hey thanks for scrolling this far down :)
Hey thanks for scrolling this far down :)